Esperienza di Video Partecipato con persone con disabilità per una comunicazione sociale di sensibilizzazione contro le discriminazioni.

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Director (D)

Florian Hoffmann grew up in a family of documentary filmmakers (parents: Heidi Specogna and Rainer Hoffmann). After graduating from high school, he worked in development co-operation in West Africa. He then studied ethnology and social sciences at the University of Basel (Switzerland). Since studying directing at the German Film and Television Academy Berlin (dffb), he has realised his own feature-length fiction and documentary films, which have won numerous awards. From 2019-2022 he was part of Carolin Emcke's team for the conception and creation of the video installation "Archiv der Flucht" (HKW Berlin). Since 2021 he has been involved in international theatre productions at the Volksbühne Berlin. He has worked with René Pollesch, Julien Gosselin and Kornel Mundruczo, among others. He was a member of the Berlinale "Peace Prize" jury (2018), a jury member at the Munich Documentary Film Festival (2016) and part of the international jury at the Golden Apricot International Film Festival (2022). In 2022 Florian was selected as "Berlinale Talent".

Sound Designer (I)

Sound Designer, Production Engineer and Sound Editor, he has worked on many films and documentaries. Always passionate about sound, audiovisuals and technology during his university studies, he enrolled in Ipotesi Cinema, a training school founded by Ermanno Olmi. In those years, he met director Giorgio Diritti, with whom he began to collaborate professionally, kick-starting a career that was to bring him two David di Donatello awards for sound and other recognitions.

Editor (BE/IL)

Based in Brussels, Joelle Alexis has been working on full length documentaries and fiction films for over 20 years. She is tutoring in several documentary workshops on pitching teasers and editing.

Among her documentary films are:

Kamay (I. Yourish), not premiered yet; Black Notebooks (S.Elkabetz), Premiered at Cannes 2021, Best film Ofir Awards 2022; Muhi- Generally Temporary (R. Castelnuovo and T. Elterman) Best Debut Film DocAviv 2017, Selected at San Fransisco IFF, Hotdocs 2017, Human Rights Watch; Twilight of a Life (S. Biegeleisen) opening of Visions du Reel 2015; The Green Prince (N. Schirman) Audience Award at Sundance Film Festival 2013; A Film Unfinished (Y. Hersonski) won best Editing at Sundance Film Festival 2011. ; The Champagne Spy (N.Schirman) Special Jury Prize of Best Editing at River Run International Film Festival USA 2008.

Her latest editing on fiction include:

Life Without Credit (T. Shoval), not yet premiered; Debby Was Here (D. Goldberg), premiering at Haifa IFF 2023; Blush (M. Vinik) selected at San Sebastian Film Festival 2015: Gett - The Trial of Vivian Amsalem (R. & S. Elkabetz) selected at Cannes IFF 2014 and nominated Golden Globe for Best Foreign Film 2014 ; Youth (T. Shoval) selected at Berlinale 2013, Best Film Jerusalem IFF and Taipei FF ; Les Sept Jours (R.& S. Elkabetz) Premiered at Cannes IFF in La Semaine de la Critique 2008; Close to Home (V. Bilu & D. Hager) Prize of the Jury of the Confederation of Art House Cinemas Berlinale 2006; Prendre Femme (R. & S. Elkabetz) Critic's Award at the Venice IFF 2005.

She also worked as an editing consultant on:

Becoming who I was (C. Moon and J. Jeon) Grand Prix Generation KPlus Berlinale 2017,Grand Jury Prize Seatle IFF, Audience award Trento FF 2017; Babylon Dreamers (R. Shumunov) Awarded best Feature Doc Moscow IFF and Kiev IFF 2017; Presenting Princess Shaw (I. Haar) selected at Toronto Film Festival and IDFA 2015; Town on a Wire (U. Rosenwaks) selected at Copenhagen Film Festival 2015 ; Pole, Dancer, Movie (I. Halpern) Awarded Best Israeli film DocAviv

Script writer/Director/Producer, YLE Helsinki (FI)

Raimo Lang is a writer, developer and dramaturge/producer living in Helsinki. Currently he works as Head of LumeLab, a content development unit catalyzing projects in the genres of documentary, drama and feature journalism at the Finnish Broadcasting Company (YLE). Prior to that he held a professorship on interactive media & communication at Media Lab, a new media department at University of Arts and Design Helsinki.

During 1989-1998, prior to ‘new media’ emergence 1996 Raimo wrote and directed twelve fiction and documentary films for audiences in Finland and abroad. Then he wanted to refocus from author to a developer role, concentrating on creative process and methods of observation, concept development, scriptwriting and dramaturgy.

Working as a dramaturge, concept developer and producer, Raimo has done research and training on linear and non-linear projects since 1996. He has worked with more than 800 projects, including documentary and fiction films, video/audio series, fact and fiction for immersive & cross-media, real-time web interaction, social projects and programmed narrative database.

Currently Lang is a visiting workshop leader in European Social Documentary training by Zelig Film School and Ludwigsburg Film- and Media Academy, Germany. Previously he has held workshops in DFFB Berlin, Baltic International Film- and Mediaschool in Estonia, Sagas Writing interactive Fiction Munich, Aljazeera Arabic, Hilversum Media Academy Amsterdam and European Media School in Spain.

Raimo's background includes scriptwriting & directing & producing linear films, immersive projects/installations, doing feature journalism, radio work and photojournalism. He has MA in film writing&directing from University of Arts and Design, Helsinki.

Producer - Flaneur Films

Zsuzsanna Kiràly studied Communication Science in Vienna and Berlin. From 2009 to 2020 she has worked with Komplizen Film as Head of Development. Her production work for the company includes Lisa Bierwirth’s Le Prince, Anna Sofie Hartmann Giraffe, Emin Alper’s A Tale of three Sisters, Valeska Grisebach’s Western, Maren Ade’s Toni Erdmann, Miguel Gomes’s Arabian Nights, Tabu, and Redemption, and many others.

She is member of the editorial team of Revolver, Zeitschrift für Film. She is jury member of the funding bodies of IDM-Südtiroler Filmförderung and World Cinema Fund, as well as part of the selection committee for TorinoFilmLab. She is teaching at various film schools and universities such as DFFB and Universität der Künste. 

Since 2015, Zsuzsanna has been producing artistic fiction and documentary films with her own production company Flaneur Films. These titles include, amongst others, Phantasiesätze, Afterwater and Projekt by Dane Komljen, Outside Noise by Ted Fendt, Two Minutes to Midnight by Yael Bartana and A Flower in the Mouth by Éric Baudelaire.

Director of Photography

Born 1961 in France. After camera internship and assistance, camerawoman on over 70 documentaries and feature films since 1984. Collaboration with, among others: Eric Rohmer, Jean-Luc Godard, Michael Klier, Jan Schütte, Rudolph Thome, Hans Erich Viet, Philip Gröning, Marcel Gisler, Helga Reidemeister, Georg Maas, Aysun Bademsoy, Doris Metz, Judith Kennel, Lilo Mangelsdorff, Mirjam Kubescha, Erica von Möller, Maria Teresa Camoglio, Jo Schmeisser, Annika Larsson, Michael Radford, Mareike Wegener, Ingo Haeb, Matthias Luthardt, Johanna Sunder-Plassmann, Tama Tobias-Macht, Imogen Kimmel, Greta-Marie Becker.

Since 1990 teaching at various film schools.

From 2006 to 2011 co-head of the camera department at the German Film and Television Academy Berlin (dffb).

From 2011 to 2021 professor at the Academy of Media Arts (KHM Cologne).

Since 2021 professor at the Film University Konrad Wolf, Potsdam.

Director

Sheila Curran Bernard is an Emmy and Peabody Award-winning filmmaker, author, and educator based in upstate New York. She is credited on nearly 50 hours of prime time broadcast and theatrical programming, including the feature documentary Slavery by Another Name, and is the author of Documentary Storytelling, now going into its fifth edition and available in Portuguese, Korean, Chinese, Polish, and Japanese with an Arabic edition due out soon. With Kenn Rabin, she is also the author of Archival Storytelling, now in its second edition. Bernard has led master classes and served on festival juries in Poland, Norway, Belgium, and the United States. She earned her MFA in Creative Writing from Goddard College and is an associate professor at the University at Albany, State University of New York.

Think-Film Impact Production

Danielle leads the global impact strategy and has run successful film advocacy campaigns for numerous award-winning documentary and feature films. She is currently credited in the following as; associate producer for “The Cave” by Oscar nominated and Emmy awarded Director Feras Fayyad (the “Last Men in Aleppo”) led by Danish Documentary and National Geographic, Executive Producer for 8 times Oscar winning director Bruce Beresford’ upcoming feature film on “Erich Wolfgang Korngold”, Oscar shortlisted and Emmy nominated “My Enemy, My Brother” directed by Ann Shin, co-producer for “iHUMAN” directed by Tonje Hessen Schei, impact advisory board member for Director Dan Reed’s (Leaving Neverland) next feature doc in development, associate producer for multiple award-winning docu-fiction “La Soledad” directed by Jorge Thielen Armand, feature role on impact in Nobel Peace Prize winner Nadia Murad’s story “On Her Shoulders” among many others.

Her vision and work have led to world changing action and provided insight for greater social impact amongst the highest-level decision makers from the socio-political and corporate arenas. Some of the most notable impact actions include: the removal of a deadly toxic-solvent from global supply chains, the launch of reports and training for improved access to medicines in Venezuela, the demand for a binding treaty on business and human rights at the United Nations as well as the successful recognition of the plight faced by Yazidi women by ensuring recognition for Nobel Peace Prize Winner Nadia Murad across the EU and globally.

She has notable experience in the policy, social and non-governmental arenas; having served in the Cabinet of President Martin Schulz at the European Parliament. Her mission with Think-Film Impact Production has since been to develop a campaigning strategy to distribute and create social and political awareness which creates a lasting impact that goes beyond screening rooms and cinemas. Danielle views their films as visual policy briefs that not only make rational, fact-based claims but also propel emotional, lasting narratives.